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    关于“梦”的一些

    1. 对二十世纪头二十年间大多数艺术家和作家们来说,梦成了整个世界观的一种范例。
    2. 超现实主义把理智、道德、宗教、社会以及日常经验都看成是精神活动的桎梏,只有无意识、梦和精神错乱才是真正的精神活动。它倾向于表现一种不安宁的画面,通过破坏现存事物的规律来表明它的意图。它一以贯之地完整不变地剖析梦和表现梦——“尽管它可能是幼稚的、荒诞的或者是邪恶的”。梦便是“一切”。

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